Sunday, September 17, 2023

socratic dialogue at the joke bar

a trans woman walks into a bar. she sits down at plywood veneered mahogany, waxed reflective and reflexive. she orders a diet pepsi, oh, coke is okay.

the bartender says:

"why the long face?"

she ignores the possibly transphobic play on the popular joke and begins:

"i have spent my adult life debilitatingly repentant to people, yet also too emotionally impotent to truly affect them in any tangible way. people hurt me and i apologize to them and they offer an olive branch and then change their mind and i am hurt again. i am constantly being burnt by the whims of others and intentions inaccessible to me. this is not to absolve guilt, i act as disordered, hurt other people as much as anyone else, but i pass through people and they pass through me. no one will give me anything concrete and i am consistently left hysterical. a case study in a new sociological book called 'inevitability of failure in anxiety disorder and interpersonal relation.'"

the bartender replies:

"have you talked to your therapist about this?"

the trans woman sighs:

"she tells me everything i think is correct and every way i feel is okay, that how i react to others is within my head, that i should just trust that people will come around on their own time, but i cannot rely on these placations of the resoluteness of my self anymore. i tell people that all i want from them is to be their friend, and they tell me, 'that's funny coming from you,' and it confuses and scares me, because i do believe that that is all i want from them, but can one be aware of their own intentions? are my intentions more visible to other people than they are to myself? do bad people know that they are bad people? i believe i have never done anything truly wrong, only what is rash and misguided, but is that really enough?"

the bartender wipes his face and speaks:

"has anyone ever told you that you spit a lot when you talk? regardless, as i am sure you are well aware, the self is not the self but what is projected and reflected back. these are two separate things that are never congruent, and one is never able to fully grasp either. what even is a 'bad person' to you?"

"one who hurts other people on purpose."

"have you ever considered that maybe through your obsession with not being a 'bad person,' you are inadvertently hurting others through your avoidance of that very occurence, and in turn hurting people on purpose?"

"constantly."

"right, well-"

"i am constantly trying to help people that don't want my help, and then when people want my help i cannot give it. everything i do is poison. i am wracked with the loneliness of midas."

the bartender begins to wash a glass, gazing off into the neon of a bud light sign with a subconscious ironic turn in his mouth (an observational gag that dates this story firmly in 2023). he closes his eyes on its blue glow and replies:

"i think your preoccupation with what you call 'helping others,' whatever that may entail, belies the fact that you act with a general need of being liked, and a fear of not being liked. you do the things you do and act how you are so people will like you, and when they don't (for ancillary reasons), you see it as a fault on their part to accept your 'help.' hold on,"

a horse, a rabbi, and a gynecologist walk into the bar. the bartender says:

"i'll be with you in just a moment,"

then turns to the trans woman and says:

"now really isn't the time for something like this, is it?"

"not particularly, no, but it made me smile a little bit, so that's good."

"well, anyway, in response to people's distancing from you, you apologize profusely as a defense mechanism against the burden of your own guilt. this is not to say you do bad things, but you obviously must have some system or pattern of erratic behaviors to have provoked this sort of reaction multiple times."

"but i know i am guilty, all i feel is guilt and shame, constantly!"

"but is it an actual sense of concrete guilt over concrete acts, or is it more of a gut feeling of knowing there is something wrong with the way you interact and relate to people? you don't allow yourself to feel guilt over things you do because you are too busy feeling guilt over your AVOIDANCE of guilt."

it has become audibly evident that this bar has not been the first stop tonight for our group that entered a few lines ago, and the bartender excuses himself for a moment. the trans woman has finished her diet coke and plays with the ice cubes with a kind of violent apathy while taking the time to put her next thoughts together.
the bartender returns and she retorts:

"all that about my avoidance of guilt may be true, but i would have a lot easier time coming to terms with that if people would TELL ME THINGS! no one ever wants to tell me what's going on, i am always being left in the dark, left to assume the worst about how people feel about me. all i really want is open communication between people, i don't understand why other people find it so hard."

"oh yeah? when you do have open communication, when you are called out on things, how do you react?"

"what?"

"like, do you take things with stride, or do you whimper and cry, and attribute what's being said to you to senseless anger in order to disassociate yourself from it?"

"how do you-"

"you just seem like the type. you don't want open communication, you only want to be told you are good and perfect and not in the wrong. people avoid communicating with you because they know if their communication is seem by you as negative, you will just shut down and become a puddle, incomprehensibly begging for forgiveness."

she starts to shake and tear up a bit.

"you're a real fucking asshole, you know that?"

she is then hit with a wave of self awareness not related to self deprecating intellectualism for the first time in a long while so strong that she slumps down on the bar. after a moment, she speaks muffled through the sleeve of her sweater:

"i need to learn how to love in a way that doesn't vacillate between idealizing of others and self destruction, a love that doesn't revolve around maximizing the importance of my intentions and minimizing the effects of my acts and words, a love that is fair to all parties, a love that involves more careful selection and hesitation in order to be more lasting. this will take a while, so in the meantime i need to learn how to be alone, something i haven't been able to be since i was a teenager. i cannot love until i can love myself. i cannot love until i can love myself. i cannot love until i can love myself. this is something true, this is something tangible. this is something that makes sense. how could someone love me, how can i love someone if i don't love myself?"

she pauses.

"how do i love myself, by the way?"

she looks up and the bartender is not there. she whips her head around and sees him on his way back from serving the group. he cocks his head at her as he sets the serving tray down:

"i'm sorry, were you saying something?"

"oh, it's nothing. funny bunch that came in, isn't it? straight out of one of those jokes. i was half expecting you to tell them you don't serve their kind here."

"i ordinarily would, but there's federal laws about that kind of thing now. and don't act like you're any different."

"i suppose you're right, there."

"one of them bought you a drink by the way, will it be another diet coke?"

she glances over her shoulder at the group.

"yeah, thats fine. which one was it?"

"the gynecologist. he thinks you're cute."

the trans woman downs the soda, stands up, and pulls a couple dollars out of her purse, looking somewhat disappointed.

"well, he can't do much for me, anyway."

Monday, September 11, 2023

"THE SOUND ROCKER'S PRAYER," by Lex Walton

1 - SOUND ROCK


Say it to yourself: I am a Sound Rocker. I make Sound Rock.


Sound Rock is as of now a meaningless descriptor. It holds no associations, other than it is a system of organized sound.


SOUND ROCK IS:

an ethos,

a way of looking at art,

an answer to questions you don't feel like answering,

nameless, shapeless,

a kind of freedom,

an oxymoron,

just an idea I had.


THIS IS NOT ABOUT: being "cool," being "uncool," having "no influences."

THIS IS ABOUT: the things we love.


We are not a sum of the things we love, but they do constitute a lot of us.


A sound rocker firmly believes that everything you love belongs to you.


Be as influenced by the way your friends talk about paintings, the way you and your enemies find a way to avoid each other in plain sight at parties, the things you eat, the order you put your clothes on, the way your teeth feel against your cheek, your favorite movies, your least favorite movies, and the way your eyes defocus when you get tired as you are by the music you love.


Music is not the only thing, but a means of conveying everything.


Genre descriptors only exist to limit and divide the modes of creation and to make you sell yourself in specific ways.


Self prescription is the lowering of oneself into the oubliette of past works.


Why be a "shoegaze band" when you could make Sound Rock? Why make "emo" when you could make what is meaningful to you? Why exist at "the intersection between hyperpop and cloud rap" when you can simply let these things flow through you and be filtered through the multitude that you are?


THIS IS ABOUT: The Song, and what it wants from you.


It's more meaningful to be experiential than experimental.


2 - EMPTY SIGNIFIERS = LIBERTY.


Sound Rock is simply my preferred nomenclature. Sound Pop, Sound Music, Sound Rap, Post-Sound, Free Sound, Sound Punk, etc. all signify the same thing (nothing).


Make up genres, call yourself things that don't exist, lie about your influences while letting them shine through in the work. "Sound Rock" is just words.


Your only genre should be your name, and even then this may be too limiting.


We must subdivide until nothing is legible.


Genres are not meaningless, that is the problem. There are no rules we should obey but the rule of “what sounds good is good.”


Genres that signify historical moments should be especially vilified in modern contexts.


“Proto-punk,” “post-punk;” if “punk” is an eternal state of being, why must it be adjoined with time-based constraints (each with their own baggage)?


Long live adjectives. We don't wish to erase ways of talking about music, but genres should only live on in the vestige of adjectives; "noisy," "glammy," "proggy," "twee." Talk about “trap hi hats” and “surf guitars” and “jungle breaks” and “motown bass” in ways that don’t condemn the music that contains them to a narrow frame of relation.


It is better to be described as being like something than to be diagnosed AS something.


Sound Rock is not "hypnagogic pop," because we are not dreaming. We are awake, relaying the dream.


"Authenticity" and "Retrophilia" are reactionary impulses we only bring out on special occasions, like Christmas decorations or novelty New Years glasses. Nothing about the past is better than now, the past is our toolbox.


What does it even mean to be a "noise musician?" 


THIS IS NOT ABOUT: defying genres.

THIS IS ABOUT: ignoring and obfuscating them.


THIS IS NOT ABOUT: music listening.

THIS IS ABOUT: music making.


Let other people categorize you. That's not your problem.


Make life harder for journalists and playlist curators. They deserve it.


3 - SOUND THEOLOGY OR THEOLOGICALLY SOUND?


The mere knowledge of "outsider art" precludes one from making it. We are all speaking the same language.


A sound rocker understands that all music coexists in the same invisible space, it all has no image and no rigidity.


A sound rocker understands that "pop music" exists in the world of forms and is for us to harness.


A sound rocker is never afraid of melody or harmonic simplicity. We all want to transcend this gray earth and sometimes the shortest distance between two points is a straight line.


A good tambourine line goes a long way.


A sound rocker understands that preset rhythms, common chord changes and cliche phrases are a marker of lasting divine power and truth. 


A sound rocker observes that sometimes things are popular because of the forces of capital, but also that sometimes things are popular because they vibrate with a certain resonance through popular consciousness (meaning: ALL OF US).


A sound rocker views nostalgia as an amusement and an inspiration, not a purpose. Pastiche is used to get somewhere not closer to the past, but CLOSER TO GOD.


A sound rocker knows that the fact that changing between two arbitrary vibrations can reduce one to tears is proof of something bigger than all of us, however you want to call it.


A sound rocker understands that The Song is alive, it wants to be conveyed in a certain way, and it is their duty to actualize it.


A sound rocker knows that any instrument can play the melody in your head, and any tone is viable in its right context. No two timbres or (genre-associated) textures can clash except in an interesting way when they are combined with good intentions.


The structured should allow room for improvisation and the improvised should allow room for structure.


A sound rocker knows that The Song can contain nothing and everything, and in this way The Song is God.


4 - WORDS, WORDS, WORDS.

(Shakespeare did not write tragedies or comedies, he wrote Sound Plays.)


Words are either the most important thing or another way to weaponize cliche (good!)


A sound rocker is always honest, unless lying would be more truthful.


A sound rocker's work has an ethos, a mission, a conceptual framework, something to say (no matter how banal) that has nothing to do with sonic qualities.


The most valuable statements are those that are unequivocally true in the author's mind at the time of writing. Time cannot change their intensity.


Art is made compelling when one can sense an urgency behind its creation. A sound rocker makes music because they feel they will die if they don't, and believes in their work enough to know it is worth making and being heard.


Lyrics exist between poetry and prose and transcend both when they are “bent to melody.” Make of that what you will.


The personal is the universal. The specific is the shared.


There is a perverse joy in revealing too much, giving the game away. The sound rocker is prepared to be seen naked.


"Never In Excess," sayeth the Oracle at Delphi, but such inscriptions are just suggestions.


Nothing can ever be "too cute" or "too brutal," "too naive" or "tasteless," if it is deeply felt.


THIS IS NOT ABOUT: "autofiction," "life as art" (though it is certainly congruent!)


5- ALWAYS BE RECORDING!!!!! RECORD EVERYTHING!!!!!


The "Sound Sound" denotes nothing (this means everything).


Home recording is preferred if only for immediacy, and immediacy is preferred if only for its truthfulness.


If you are making a record, write and record until the record tells you it is over, and then record even more.


The best thing you can use to make music is what is available to you.


Never limit to one kind of recording. Computers are beautiful and tape is beautiful, listen to the song and it will tell you what it wants to be contained on (and it never really truly has to be contained on anything! Bounce back and forth 4ever). Never ignore the potentials of whatever recording medium is used, push everything to its limit.


Modern music software means that anyone can do incredible things with almost nothing. This is to be celebrated.


Ask for help.


Some things want to be recorded with Neumanns, some things want to be audio ripped from camcorder videos. These things can exist together in the same song.


As many live performances should be filmed and recorded as possible. Documentation is a gift for the future.


The Song is the Thing. You are not writing it, you are exhuming it. Never forget that.


-----------<3------------


early sound rockers: Miles Davis, Kate Bush, Bo Diddley, Rivers Cuomo, Blue Gene Tyranny, Wesley Willis, Adam Green, Yoni Wolf, Tori Kudo, Robert Pollard, Lil B, Joe Meek, Brian Eno, William Onyeabor, Julian Koster, The Space Lady, Kevin Barnes


-----------<3------------


This is not the only way to do things, this is just an option of a way to look at music making. The most important thing is that Sound Rock is about not limiting yourself. Listen to your heart, close your eyes, follow blindly into beautiful new territories, always feel deeply about what you do and believe in your work. We love music because it is us and we are it. None of this is to be taken as gospel, and I would never tell anyone how to do their work. I’m just some person, and I want to express what I feel deeply in words that can be understood.


There are currently three projects on Bandcamp tagged with "sound rock." I can only hope it means to them what it means to me.



Alex Walton

9/11/2023